Parnassus is finally out. I have a long review essay on Asian American poetry. I am weary of critiquing anything under such a rubric, but in 2005-2007, this idea of Asian American poetry has been torqued and twisted by so many innovative poets that I thought why not. I review Mei-Mei Berssenbrugge's soon-to-be-classic
"I Love Artists," Barbara Jane Reyes'
"Poeta en San Francisco" and Shanxing Wang's
"Mad Science in Imperial City." I wanted to write a longer omnibus review that included the likes of Paolo Javier (his excellent "60 Love bo(e)mbs") Brian Kim Stefans and Linh Dinh, but alas, I had to narrow it to three.
As long as we're on the subject of Asianness, Action folks kindly sent me a copy of Kim Hyesoon's "Mommy Must Be a Fountain of Feathers." Profoundly disturbing. Will write more after I finish.
I was also pleased to find that Roger Gilbert wrote an erudite review of "Dance Dance Revolution" in the same issue of Parnassus. Shanna Compton also wrote a
perceptive review of it for
Galatea Resurrects.